![]() She still feels unfulfilled but is much more conscious of how guys perceive her. In contrast to earlier works that focused on the toxic nature of her romantic relationships, “Soft Life” shows Walker in the midst of her path to recovery. ![]() The LP, an ambitious endeavor, is another substantial addition to his catalog and includes significant collaborations like Afrobeat’s wizkid on one of the tracks.Ītlanta artist Summer Walker is back with her extended play “Clear 2: Soft Life,” less than two years after releasing her sophomore album “Still Over It.” In the nine-track album, Walker wades through a sea of feelings in search of clarity and calm in her romantic relationships. In contrast to previous work, the Houston native tries singing about love and all the accompanying feelings, including trust, betrayal, and letting go. The Jackboys affiliate maintains his trend of selecting euphoric, seductive, entertaining, yet outstanding songs with Don Toliver’s third studio album, Lovesick. Kelela is one of the few storytellers who can use that level of detail successfully. Some see it as ominous and a sign of loss, yet it’s also the talking bird and a link between the spirit worlds. In her search for a representation of rebirth, she discovered the raven. At its core, Raven is a retort to anyone who believes Kelela’s absence was an ominous warning for her professional future. Musically, it’s the same atmospheric electronica slamming up against progressive R&B in other words, dance music works equally well in the bedroom, whether alone or with a partner. The L.A.-based Ethiopian American singer’s second album reflects a different mental state than when she wrote her 2017 debut LP Tear Me Apart. It is brimming with synth undercurrents, translucid melodies, and deliciously startling production alterations. Raven is a mesmerizing music to interpersonal communication, human connection, and Black femininity. In contrast to her earlier works, “Girl In The Half Pearl” is a brasher and explores the secret, hidden areas of the author’s heart to look into the struggle within. But unlike on other projects, she isn’t drawn to dallying in romance. It’s not like the 25-year-old Los Angeles native hasn’t previously made her diaries public. She told Rolling Stone’s Matthew Ritchie, “I’m finally in a situation to talk my stuff with a fresh perspective of being able to say what’s on my heart. E creates a patchwork of frequencies on “Girl In The Half Pearl” by fusing drum & bass with stacked harmonies, going full techno to a fuck-haters tirade, and filling bottomless spaces with reverbed screams. ![]() This forms much of SOS into a profoundly personal – often excessively so – testimonial of work, along with the stream-of-consciousness flow many of her songs exude. SZA has demonstrated over the course of her ten-year career that her forte as an artist resides in her sharp lyrics and the fusing of genres to create her own distinct sonic universe. Even though SOS is experimenting with new sounds, there is a definite shift to a more pop-focused sound. SZA has always worked in the experimental R&B genre, eschewing conventional song structures, strong vocals, and one-dimensional writing in favor of various methods. Muni Long – Public Displays of Affection The Albumįive years have passed since the release of her debut album CTRL, and while she hasn’t been completely absent from the music scene - she’s appeared on Summer Walker, DJ Khaled, and Doja Cat projects - it’s the first time we get to hear her perspective on her absence and everything that’s been happening in her world directly from her.
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